Anaís Azúl’s “Healing” Is a Baroque Pop Healing Anthem for the Mind

July 8th 2019

“Reminiscent of hyper-twee early aughts chamber pop, yet without an ounce of pretense to be detected, “Healing” finds remarkable balance between its lush orchestrations and powerful message of compassion.”

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Radio Menea

Episode 86: Orgullo (Min 16:57)

June 20th, 2019

Links and more information from this episode here.

Wholetone music academy

Wholetone music academy at first friday’s youth open mic!

March 8th 2019

“It was so incredible to watch and hear how she wove pieces of the evening together…Anaís’ music brought the Open Mic to another level, showcasing her unique blend of style, skill, and heart. Lyrics and sounds from her songs are still echoing in this author’s mind.” Rachel Nagin

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Dig Boston


November 1st, 2018

“Soon Anais Azul was roped in, whose extensive work as a composer and chamber writer adds a surprise element of refined levity to the event.”

“By thinking of hooks and recording vocals in place of the instrument, Thomas was able to push their composition skills to a new level, learning how to break down the layers of a song—harmonies, melodies, beats, instrumental layers—to help flesh it out further with help from Azul.” Nina Corcoran

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Broadway World

BWW Review: THE SEAGULL at Serenbe Playhouse

September 9th, 2018

“Serenbe Playhouse is offering up something radically different this month: a modern reimagining of Anton Chekhov's The Seagull, complete with hypnotic Balkan music by talented composer Anais Azul.”

“It's the perfect canvas for Maranda Debusk's extraordinary lighting and Azul's exotic music, which both do a beautiful job of creating the otherworldly quality of illusion and of distinguishing it from the oppressive reality of the lake estate.” Amy Zipperer

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The Boton Musical Intelligencer

Transcending Boundaries: COB’s 15 Years

MAY 6, 2016

“…I was pleasantly surprised that I found it quite compelling…Within this restrained rhythm, a range of melodies emerged, some hugely expansive, others more delicate and hesitant.  I did not need to ascribe a specific meaning to the music to feel it as effective and moving.” Liane Curtis 

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BU Today

Taking Note: Student composers begin to make their mark

May 5th, 2016

“I knew she would bring something a little different, and that’s both the exciting and the scary part of commissioning a new work.”

David Feltner

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San Francisco Classical Voice

Coming of Age: John Adams and the Young Composer's Program

February 13, 2014

“It was one day when I was being picked up and [Adams] just said, ‘I’m going out to meet your father,’ and he comes and he introduces himself and he says, ‘you know, she’s really got something, she has real talent’. And that just meant so much to my family, particularly my dad. You know, coming from such a renowned composer and you just wouldn’t expect that. It was an act of true kindness.” Anais Azul

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San Francisco Classical Voice

Anais Azul: Dreams of a Sound Ecologist

April 18, 2013

“The way I make my music I’m not always thinking of the goal or the overall ‘meaning’. But in this case I will dedicate the piece to the victims and families in the (Newtown) Connecticut shootings. And now after these bombings, which were also dedicated to the victims of Newtown, that’s also affected me. The way I think of it is that water connects us all to each other. It's a basic unit of life, and if this piece has a meaning, it’s not what we hold in common in death but about what we share in life and how to appreciate life.” Anaís Azul

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